VVK ab 15 € // AK 18 € Tickets hier > https://www.tixforgigs.com/Event/58008 oder bei DICE PHARMAKON (Sacred Bones, USA) Margaret Chardiet is an interdisciplinary sound artist born and based in New York City. Raised by underground musicians and artists, Margaret was surrounded by a collective of the city’s impassioned, cultural detritus. Instead of following a path of higher education, she began the experimental project Pharmakon in 2006, at the age of 16. Pharmakon as a project, entity, and process, has evolved and exists in true protean form, developing alongside (or more so within) Margaret’s personal experience and auto-didactic philosophies. Her work as a whole is a forced self-possession, a celebration of ferality and viscereality, which performatively abandons a society that has never accepted anything it couldn’t also exploit. Chardiet uses electronic synthesis as a tool to transfer this self-possession physiologically and intra-spatially into the bodies of their audience. Timbre becomes temper. Ferality, a social contagion or biorhythm. Margaret has also played in numerous punk groups that extend out to a greater international D.I.Y. music community, and has composed score and original music for the films Transfiguration (2017), and Sound of Metal (2019). KOLLAPS Until The Day I Die is Kollaps’ third LP for Cold Spring Records. The record, set for release in June 2022, is merciless and visceral assault on the senses and continues the trajectory of the band’s idiosyncratic approach in their creation of sound. Until The Day I Die is an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented by the use of William S. Burroughs’ cut-up method. A wide variety of metals and raw materials were used in the creation of the album including metal grates, a rusted hoist, cement cylinders, field recordings, hammering of various decrepit objects, broken amplifiers, an exposed reverb tank, various synthesizers, and the infamous metal coil; a crudely self-constructed artifice that has become iconic in its use across Kollaps’ triptych of releases and lengthy touring history in Europe, Australia and New Zealand. LANA DEL RABIES Lana Del Rabies is a captivating force in underground dark electronic and the fringes of heavy music. Her distinct blend of industrial, gothic noise, and experimental metal delves into the esoteric brutality of human existence in a world overshadowed by the threat of apocalypse. Renowned for her intense and immersive live performances, Lana Del Rabies masterfully holds audiences in captive catharsis. The music outcries from beyond, revealing surprising melodic and melancholic moments within the tumult of noise and anguish. Her first two albums, "In The End I Am A Beast" and "Shadow World," released by Los Angeles label Deathbomb Arc, showcase the futuristic goth sound that matured on her 2023’s acclaimed record "STREGA BEATA”. QUOTES: "The monster she’s created is constructively destructive, barking catharsis from the echoey dungeon, though out of the melee of noise and pain arise surprising caches of mellifluousness. Sam An welds a fury of noise and pain into some remarkably compelling shapes”" - The Quietus

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